The interest of National Socialists to preserve film material of their victims beyond expulsion and elimination is an aspect which is only being looked at from a site perspective of historical science, even though a number of films and photos as well as indications and traces of their production, accumulation and archiving are existing.
In the following article the form and intention of concerted made graphical material will be traced on the basis of the documentary film material “Asien in Mitteleuropa” which was recorded in the Warsaw Ghetto in 1942.